is the Disney animated version that came out in 1940. MARTIN: Would you tell me a little bit more about that? As you've mentioned, there have been a lot of adaptations of "Pinocchio," maybe the most famous in the U.S. And I wanted to make a very, very different version of "Pinocchio." So I started trying to make it when I was in my teens and then 20s and then 30s. I didn't like that, even as a kid, and it stuck with me. But it left me with a lot of questions and with some thoughts about changing in order to please people into loving you. And that left a lasting impression because I felt that it was not a sanitized vision of childhood. And the first time I saw Walt Disney's "Pinocchio," I was both terrified and elated that somebody have captured how scary I thought childhood was. Would you mind telling us what so struck you about it when you first saw it as a child?ĭEL TORO: The very first time - it was the second or third movie I saw with my mother. MARTIN: I've heard you say that "Pinocchio" has been sort of a passion project for you. MARTIN: And Guillermo del Toro is with us now to tell us more about his latest and perhaps most personal film. MANN: (As Pinocchio) My name is Pinocchio. MANN: (As Pinocchio) You wanted me to live. GREGORY MANN: (As Pinocchio) Good morning, Papa.ĭAVID BRADLEY: (As Geppetto) What is this? What kind of sorcery? (SOUNDBITE OF FILM, "GUILLERMO DEL TORO'S PINOCCHIO") That's because del Toro's stop motion animated film, set in 1930s Italy during Mussolini's fascist dictatorship, elevates the painful dilemmas at the heart of the enchanting story, surfacing difficult questions about love and loss and the purpose of life. But a new adaptation by Academy Award-winning director Guillermo del Toro is like nothing you've seen before. Of course, we're talking about "Pinocchio," Carlo Collodi's 19th-century fairy tale. And all he really wants is to be a real boy and to make his father proud. He begins life as a wooden puppet, his best and sometimes only friend, a mouthy cricket.
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